Get Artist Management for the Music Business PDF

By Paul Allen

ISBN-10: 0240815017

ISBN-13: 9780240815015

With the evolution of the track company and the transferring impression of enormous list labels, the artist supervisor is now – greater than ever – on the middle of an artist’s occupation. Artist managers are tasked with maintaining abreast of the song and assisting the artists less than their administration whereas at the same time coping with their own careers.

Including key insights, specific making plans assistance, administration instruments, and methods for a winning profession, Artist administration for the tune Business has the instruments to aid any new or skilled artist supervisor.

Through its research of over a dozen case experiences, classes, and agreement examples, writer Paul Allen offers a concentrated examine handling artists’ careers. This follow-up to the best-selling moment version encompasses a new bankruptcy on entrepreneurship together with specific info on the right way to run an artist administration company as a company and contains insurance of looking forward to hazards, reacting to demanding situations, and uncomplicated funds administration. The bankruptcy additionally includes extra sections at the powerful use of social media, the net, and dealing with on-line promoting. for added assets, stopover at the book’s site at www.artistmanagementonline.com.

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Extra resources for Artist Management for the Music Business

Sample text

In 1999 Slim Shady was on his way to becoming a rap icon, dressed in the obligatory ball cap and baggy shirt and pants and sporting blond close-cropped hair. Through the years, he added quite a few tattoos and lost the blond hair. But by 2011, the tattoos were covered, the bling was minimal, and the 37-year-old’s stage image was mature, but his music and performances were still all message and attitude. By this time, many from his 1999 fan base were approaching 30 years old and Rosenberg and Eminem adapted the presentation of the music to meet the expectations of his newer and his older fans, resulting in his album Recovery topping sales charts for eight weeks in the summer of 2010, which was on top of the more than 40 million albums he sold in the United States over the course of his career.

The last time you had a conflict with someone—a band member, a venue manager, maybe an audience member—how did you resolve it? ) 11. If a fan were to describe you as an artist in two sentences, what would that description be? ) 12. What training or coaching do you think would make you a better performer or songwriter? ) 13. What is going on in the music business today that you think will be an advantage to you as an artist in the music business? What do you think will be the biggest threat to your career?

His mother recognized his gifts of musical talent and a charming personality, and took on the responsibility of managing a potential music career for him before he was ten years old. She placed him in a boy band called New Beginnings when he was 12, but later entered him solo in a talent show in Atlanta, which resulted in a record deal with La Face records. The label released a single by Usher on the Poetic Justice sound track. His voice began to change when he was 15 and he nearly lost his recording contract.

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Artist Management for the Music Business by Paul Allen


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